Royalty Payment Mechanism On Music Works According To Law No. 28 Of 2014 Concerning Copyright Suparno, Boy Nurdin
School of Law, Universitas Borobudur, Jakarta
Abstract
The copyright influence is increasingly significant due to its greater role in both industrial and international trade aspects. Indonesia has ratified the World Trade Organization Establishing Agreement via Law No. 7 of 1994 so that Indonesia legally binds with the rules issued by the WTO, including the TRIPs agreement (Trade Related Aspect of Intellectual Property Rights). Law No. 28 of 2014 concerning Copyright also regulates works that are protected by copyright, such as cinematographic works. The problem of this study is how the payment mechanism and the composition of royalty payments are based on the Law and how the legal remedy for the creator in the use of music in cinematographic works in Indonesia. Based on the provisions of Article 89 section (1) of the Law concerning Copyright, it can be seen that LMKN represents the representativeness of the interests of both the creator and the related right owner. The royalties collected by LMKN from the users are based on the use/playing//utilization of music and/or songs for commercial public services. In the popular world, it is called royalties for performing rights. The study employed a normative research type or literature review.
